Piracy trumps obscurity again

Posted by Paul Watson on

Here’s a short illustrated story for you: Steve Lieber is a comic book artist. He drew Underground, a graphic novel (written by Jeff Parker, drawn by Steve, and colored by Ron Chan).  The story follows Park Ranger Wesley Fischer as she tries to save Stillwater Cave – and then has to save herself. On Sunday [...]

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Make something first, then worry about marketing

Posted by Paul Watson on

Ariana Osborne is credited as “Chief Mechanic” on the FreakAngels(1) web-comic/graphic novel series (written by Warren Ellis, artwork by Paul Duffield). In practice it seems that this means she’s the web designer/maintainer and general “make the crazy idea work in practice” person. One of the things that she and Warren Ellis are doing is using [...]

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Amanda Palmer on a Patronage-based model for music

Posted by Paul Watson on

…which I think can work equally well for the visual arts:

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On Promoting Interstitial Art

Posted by Paul Watson on

(Cross-posted from my website for the Book of the Erinyes) As I’ve been working on The Book of the Erinyes I’ve been trying to work out who it’s likely to appeal to. The problem is that it doesn’t fit comfortably in any one area. It sits between art and craft, between bookbinding and book art, [...]

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Crowd-Sourced Artistic Patronage

Posted by Paul Watson on

There’s an interesting discussion going on at TechDirt about the evolving business model being used by musician Amanda Palmer. One commenter, Kevin Stapp, sums it up perfectly: The more I hear about ‘new business models’ for musicians the more I’m reminded of a very old business model: patronage. Throughout much of history artists (painters, composers, [...]

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